Abkürzungen WS, DL etc.

Wer will ein schönes Sticky hierzu schreiben?

Freiwillige vor

Gruß Sid

WS = Wide Screen
DL = Dual Language (steht ja auch in der Sprachenlistung)

Retail ist eigentlich besser als Dubbed, da Audio 100% passt und keine Schnitte o.ä. vorgenommen wurden. Ist halt wie eine DVD. Manchmal werden wegen Lizenztechnischen Dingen, bestimmte Lieder der Serie nicht mit auf die DVD genommen (zu teuer). Der Orginal Sountrack ist dann nur im Dubbed Release vorhanden. WIe das bei HIMYM ist weiß ich nicht. Am Besten nehm den Retail Release.

Solltest du die Serien mit Untertiteln schauen (die nicht im Rls vorhanden sind), hast du mit Dubbed Releasen meist die bessere Wahl, da es sich schlicht um die beschleunigten US-Rips handelt. Aber das ist für dich glaub ich nicht interessant

E: Das mit dem Sticky hatte ich nicht gesehn...^^ meine Infos dürfen aber gerne kopiert werden

In der Zwischenzeit kann man sich ja solange hier erkundigen: http://de.wikipedia.org/wiki/Rippen

Zitat von Ap0phis;236510

In der Zwischenzeit kann man sich ja solange hier erkundigen: http://de.wikipedia.org/wiki/Rippen

Hat mich zu Beginn mehr verwirrt, da es bei Filmen viel mehr Sachen gibt.

Dubbed kommt bei TV Serien ja eig immer ausm DigitalTV oder von Video-On-Demand. Bei Kino geht das schlecht

Wäre auch für so ein Sticky - hab mir zwar schon einiges gegoogelt, aber m.E. waren da auch falsche Angaben drin. Das war aber bzgl. Filme, da wurde z.B. gesagt dass das Bild DVDrip wäre, dabei warsn Camrip....usw.

Noch ein paar nützliche:

aTV = analog TV Rip
dTV = digital TV Rip
HDTV = High Definition TV Rip (1080i / 720p)
DL = Dual Language (zweisprachig)
SL = Single Language (einsprachig)
ML = Multi Language (mehrsprachig)
AC3D = AC3 dubbed
DVD9 = DVD Rip untouched Double Layer 8,5 GB
DVD5 = DVD Rip untouched Single Layer 4,7 GB
DVDR = DVD Rip (DVD Daten VOB etc.) ohne Extras/Menü etc.
BD = BluRay Rip
BD25 = BluRay untouched Single Layer
BD50 = BluRay untouched Double Layer
1080p = Full HD Auflösung (1920x1080 px)
720p = HD Ready Auflösung (1280x720 px)
1080i = von 720p hochgerechnete (interlaced) Full HD Auflösung

1080i = 1920x1080 im Zeilensprungverfahren oder 1080p in 1080i per PAFF oder MBAFF codiert (mangels 1080p25 im Standard)

Da gabs mal nen Thread dazu. Serienjunkies Wörterbuch oder so.

Edit: http://board.serienjunkies.org/showthread.php?t=28942

Den könnte man ja erweitern.

Das hier könnte noch ganz interessant sein, auch wenns englisch ist:

Zitat

CAM
A cam is a theater rip usually done with a digital video camera. A mini tripod is sometimes used, but a lot of the time this wont be possible, so the camera make shake. Also seating placement isn’t always idle, and it might be filmed from an angle. If cropped properly, this is hard to tell unless there’s text on the screen, but a lot of times these are left with triangular borders on the top and bottom of the screen. Sound is taken from the onboard microphone of the camera, and especially in comedies, laughter can often be heard during the film. Due to these factors picture and sound quality are usually quite poor, but sometimes we’re lucky, and the theater will be fairly empty and a fairly clear signal will be heard.

TELESYNC (TS)
A telesync is the same spec as a CAM except it uses an external audio source (most likely an audio jack in the chair for hard of hearing people). A direct audio source does not ensure a good quality audio source, as a lot of background noise can interfere. A lot of the times a telesync is filmed in an empty cinema or from the projection booth with a professional camera, giving a better picture quality. Quality ranges drastically, check the sample before downloading the full release. A high percentage of Telesyncs are CAMs that have been mislabeled.

TELECINE (TC)
A telecine machine copies the film digitally from the reels. Sound and picture should be very good, but due to the equipment involved and cost telecines are fairly uncommon. Generally the film will be in correct aspect ratio, although 4:3 telecines have existed. A great example is the JURASSIC PARK 3 TC done last year. TC should not be confused with TimeCode , which is a visible counter on screen throughout the film

SCREENER (SCR)
A pre VHS tape, sent to rental stores, and various other places for promotional use. A screener is supplied on a VHS tape, and is usually in a 4:3 (full screen) a/r, although letterboxed screeners are sometimes found. The main draw back is a “ticker” (a message that scrolls past at the bottom of the screen, with the copyright and anti-copy telephone number). Also, if the tape contains any serial numbers, or any other markings that could lead to the source of the tape, these will have to be blocked, usually with a black mark over the section. This is sometimes only for a few seconds, but unfortunately on some copies this will last for the entire film, and some can be quite big. Depending on the equipment used, screener quality can range from excellent if done from a MASTER copy, to very poor if done on an old VHS recorder thru poor capture equipment on a copied tape. Most screeners are transferred to VCD, but a few attempts at SVCD have occurred, some looking better than others.

DVD-SCREENER (DVDscr)
Same premise as a screener, but transferred off a DVD. Usually letterbox , but without the extras that a DVD retail would contain. The ticker is not usually in the black bars, and will disrupt the viewing. If the ripper has any skill, a DVDscr should be very good. Usually transferred to SVCD or DivX/XviD.

DVDRip
A copy of the final released DVD. If possible this is released PRE retail (for example, Star Wars episode 2) again, should be excellent quality. DVDrips are released in SVCD and DivX/XviD.

VHSRip
Transferred off a retail VHS, mainly skating/sports videos and XXX releases.

TVRip
TV episode that is either from Network (capped using digital cable/satellite boxes are preferable) or PRE-AIR from satellite feeds sending the program around to networks a few days earlier (do not contain “dogs” but sometimes have flickers etc) Some programs such as WWF Raw Is War contain extra parts, and the “dark matches” and camera/commentary tests are included on the rips. PDTV is capped from a digital TV PCI card, generally giving the best results, and groups tend to release in SVCD for these. VCD/SVCD/DivX/XviD rips are all supported by the TV scene.

WORKPRINT (WP)
A workprint is a copy of the film that has not been finished. It can be missing scenes, music, and quality can range from excellent to very poor. Some WPs are very different from the final print (Men In Black is missing all the aliens, and has actors in their places) and others can contain extra scenes (Jay and Silent Bob) . WPs can be nice additions to the collection once a good quality final has been obtained.

DivX Re-Enc
A DivX re-enc is a film that has been taken from its original VCD source, and re-encoded into a small DivX file. Most commonly found on file sharers, these are usually labeled something like Film.Name.Group(1of2) etc. Common groups are SMR and TND. These aren’t really worth downloading, unless you’re that unsure about a film u only want a 200mb copy of it. Generally avoid.

Watermarks
A lot of films come from Asian Silvers/PDVD (see below) and these are tagged by the people responsible. Usually with a letter/initials or a little logo, generally in one of the corners. Most famous are the “Z” “A” and “Globe” watermarks.

Asian Silvers / PDVD
These are films put out by eastern bootleggers, and these are usually bought by some groups to put out as their own. Silvers are very cheap and easily available.

R5
R5 refers to a specific format of DVD released in DVD Region 5, the former Soviet Union, and bootlegged copies of these releases that are distributed on the Internet. In an effort to compete with movie piracy, the movie industry chose to create a new format for DVD releases that could be produced more quickly and less expensively than traditional DVD releases. R5 releases differ from normal releases in that they are a direct Telecine transfer of the film without any of the image processing common on DVD releases, and without any special features. This allows the film to be released for sale at the same time that DVD Screeners are released. Since DVD Screeners are the chief source of high-quality pirated movies, this allows the movie studios to beat the pirates to market. In some cases, R5 DVDs may be released without an English audio track, requiring pirates to use the direct line audio from the film’s theatrical release. In this case, the pirated release is tagged with “.LINE” to distinguish it from a release with a DVD audio track.
The image quality of an R5 release is generally comparable to a DVD Screener release, except without the added scrolling text and black and white scenes that serve to distinguish screeners from commercial DVD releases. The quality is better than Telecine transfers produced by movie pirates because the transfer is performed usingprofessional-grade film scanning equipment.
Because there is no scene release standard for pirated R5 releases, they were variably tagged as Telecines, DVD Screeners, or even DVD rips. In late 2006, several release groups such as DREAMLiGHT, mVs, and PUKKA began tagging R5 releases with “.R5″ or r5 line (the line meaning it has direct english line audio) and suggesting that other groups do the same.

VCD
VCD is an mpeg1 based format, with a constant bitrate of 1150kbit at a resolution of 352×240 (NTCS). VCDs are generally used for lower quality transfers (CAM/TS/TC/Screener(VHS)/TVrip(analogue) in order to make smaller file sizes, and fit as much on a single disc as possible. Both VCDs and SVCDs are timed in minutes, rather than MB, so when looking at an mpeg, it may appear larger than the disc capacity, and in reality u can fit 74min on a CDR74.

SVCD
SVCD is an mpeg2 based (same as DVD) which allows variable bit-rates of up to 2500kbits at a resolution of 480×480 (NTSC) which is then decompressed into a 4:3 aspect ratio when played back. Due to the variable bit-rate, the length you can fit on a single CDR is not fixed, but generally between 35-60 Mins are the most common. To get a better SVCD encode using variable bit-rates, it is important to use multiple “passes”. this takes a lot longer, but the results are far clearer.

XVCD/XSVCD
These are basically VCD/SVCD that don’t obey the “rules”. They are both capable of much higher resolutions and bit-rates, but it all depends on the player to whether the disc can be played. X(S)VCD are total non-standards, and are usually for home-ripping by people who don’t intend to release them.

DivX / XviD
XviD & DivX are the most commonly encoded movies. DivX used to be the most popular, until it went from open source to a corporation that bought the rights & started charging for it (although the ⊗⊗⊗⊗⊗ can easily be obtained for the DivX encoder, most people have switched to XviD, not only because it is open source, but also because it is superior in many ways). In the last year or so, many stand-alone DVD players have been released that are capable of playing DivX/XviD movies (even on CDRs), which has made this the most popular form of encoding. The majority of XviD/DivX rips are taken from DVDs, and are generally in as good quality as possible that can fit on one 700MB CDR disc, which is why most XviD/DivX movies are almost exactly 700MB, so they can be burnt onto a CDR & played in these new DVD players (which can be purchased just about anywhere for as little as $30-$40 USD). Various codecs exist, the most popular at the moment being the new XviD 1.2 codec. DivX encoded movies will definitely play on these new DVD players, & it only takes a little simple tweaking by the ripper to ensure XviDs will play on them as well, but it is therefore not guaranteed. (If you want to learn more about XviD/DivX encoding so you can make your own DVDrips, just visit doom9.org)

x264
x264 is a free software library for encoding H.264/MPEG-4 AVC video streams. (More to come.)

CVD
CVD is a combination of VCD and SVCD formats, and is generally supported by a majority of DVD players. It supports MPEG2 bit-rates of SVCD, but uses a resolution of 352×480(ntsc) as the horizontal resolution is generally less important. Currently no groups release in CVD.

DVD-R
Is the recordable DVD solution that seems to be the most popular (out of DVD-RAM, DVD-R and DVD+R). it holds 4.7gb of data per side, and double sided discs are available, so discs can hold nearly 10gb in some circumstances. SVCD mpeg2 images must be converted before they can be burnt to DVD-R and played successfully. DVD>DVDR copies are possible, but sometimes extras/languages have to be removed to stick within the available 4.7gb.

MiniDVD
MiniDVD/cDVD is the same format as DVD but on a standard CDR/CDRW. Because of the high resolution/bit-rates, its only possible to fit about 18-21 mins of footage per disc, and the format is only compatible with a few players.

---------
PROPER -
Due to scene rules, for example, whoever releases the first Telesync has won that race. But if the quality of that release is fairly poor, if another group has another telesync (or the same source in higher quality) then the tag PROPER is added to the folder to avoid being duped. PROPER is the most subjective tag in the scene, and a lot of people will generally argue whether the PROPER is better than the original release. A lot of groups release PROPERS just out of desperation due to losing the race. A reason for the PROPER should always be included in the NFO.
LIMITED -
A limited movie means it has had a limited theater run, generally opening in less than 250 theaters, generally smaller films (such as art house films) are released as limited.
INTERNAL -
An internal release is done for several reasons. Classic DVD groups do a lot of INTERNAL releases, as they wont be dupe’d on it. Also lower quality theater rips are done INTERNAL so not to lower the reputation of the group, or due to the amount of rips done already. An INTERNAL release is available as normal on the groups affiliate sites, but they can’t be traded to other sites without request from the site ops. Some INTERNAL releases still trickle down to IRC/Newsgroups, it usually depends on the title and the popularity. Some years ago people referred to Centropy going “internal”. This meant the group was only releasing the movies to their members and site ops. This is in a different context to the usual definition.
STV -
Straight To Video. Was never released in theaters, and therefore a lot of sites do not allow these.
ASPECT RATIO TAGS -
These are *WS* for widescreen (letterbox) and *FS* for Fullscreen.
REPACK -
If a group releases a bad rip, they will release a Repack which will fix the problems.
NUKED -
A film can be nuked for various reasons. Individual sites will nuke for breaking their rules (such as “No Telesyncs”) but if the film has something extremely wrong with it (no soundtrack for 20mins, CD2 is incorrect film/game etc) then a global nuke will occur, and people trading it across sites will lose their credits. Nuked films can still reach other sources such as p2p/usenet, but its a good idea to check why it was nuked in the first place. If there’s something wrong with a group release, they can request a nuke.
NUKE REASONS…
this is a list of common reasons a film can be nuked for (generally DVDRip)
BAD A/R = bad aspect ratio, ie people appear too fat/thin
BAD IVTC = bad inverse telecine. process of converting framerates was incorrect.
INTERLACED = black lines on movement as the field order is incorrect.
DUPE -
Dupe is quite simple, if something exists already, then theres no reason for it to exist again without proper reason.

Alles anzeigen

teilweise veraltet, einiges etwas anders, da wir Serien und keine Filme machen. Vieles auch überflüssig...

... aber trotzdem interessant mal gelesen zu haben!

bei Numb3rs, aber ich bin mir nicht mehr 100% sicher...

wenn du den Retail release (ohne Dubbed im DIR-Namen) hast, dann ist es die dt. DVD die Quelle